{"id":6939,"date":"2020-12-30T11:26:59","date_gmt":"2020-12-30T11:26:59","guid":{"rendered":"https:\/\/canaryislandsfilm.com\/?p=6939"},"modified":"2021-04-05T08:59:19","modified_gmt":"2021-04-05T08:59:19","slug":"drifts-nayra-sanz-fuentes","status":"publish","type":"post","link":"https:\/\/canaryislandsfilm.com\/en\/drifts-nayra-sanz-fuentes\/","title":{"rendered":"Drifts – Nayra Sanz Fuentes"},"content":{"rendered":"[vc_row][vc_column][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”30″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”30″ screen_tablet_spacer_size=”30″ screen_mobile_spacer_size=”20″][vc_column_text]\n

Spain \u00b7 2020 \u00b7 Documentary
\n18′ 35” \u00b7 Colour \u00b7 1.39:1<\/u> \u00b7 HD \u00b7 Spanish
\nSubtitles: English, French<\/p>\n[\/vc_column_text][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”30″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”30″ screen_tablet_spacer_size=”30″ screen_mobile_spacer_size=”20″][dfd_carousel center_mode=”on” screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ arrows=”” slider_type=”horizontal” dots_style=”dfdfillrounded” dots_color=”#da2e48″][vc_single_image image=”6897″ img_size=”full”][vc_single_image image=”6895″ img_size=”full”][vc_single_image image=”6893″ img_size=”full”][\/dfd_carousel][\/vc_column][\/vc_row][vc_row][vc_column][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”30″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”30″ screen_tablet_spacer_size=”30″ screen_mobile_spacer_size=”20″][vc_column_text]\n

The 21st century has begun with a contradictory crossover: a global economic transformation and a technological revolution.<\/h6>\n
Two realities that have disrupted customs and traditions to witness drifts with times that are sluggish and shaken without knowing where.<\/h6>\n
The space that Derivas portrays, linked to the sea and fishing, begins to be inhabited by errant flows of people with interests very different from the origin of the place, redrawing and relocating new events\u2026<\/h6>\n[\/vc_column_text][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”50″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”50″ screen_tablet_spacer_size=”50″ screen_mobile_spacer_size=”20″][\/vc_column][\/vc_row][vc_row force_equal_height_columns=”main_row”][vc_column width=”1\/2″][vc_single_image image=”6889″ img_size=”full” alignment=”right”][\/vc_column][vc_column width=”1\/2″][vc_column_text]Written, directed and edited by \/<\/strong> Nayra Sanz Fuentes<\/p>\n

Cinematography by\/ <\/strong>V\u00edctor Moreno and Nayra Sanz Fuentes<\/p>\n

Production manager \/ <\/strong>Alberto B\u00f3dalo Valc\u00e1rcel<\/p>\n

Assistant Director \/<\/strong> Javier Sanz Fuentes and Carlos V\u00e1squez<\/p>\n

Post-production \/<\/strong> Alberto B\u00f3dalo Valc\u00e1rcel<\/p>\n

Sound editing \/<\/strong> C\u00e9sar Molina<\/p>\n

Sound mixing \/<\/strong> Nacho Royo-Vilanova<\/p>\n

Foley \/<\/strong> Alex F. Capilla<\/p>\n

Graphic design \/<\/strong> Laura Mill\u00e1n<\/p>\n

Produced by \/<\/strong> Rinoceronte Films[\/vc_column_text][\/vc_column][\/vc_row][vc_row force_equal_height_columns=”main_row”][vc_column][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”50″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”50″ screen_tablet_spacer_size=”50″ screen_mobile_spacer_size=”20″][\/vc_column][\/vc_row][vc_row dfd_row_config=”full_width_content_paddings” dfd_overlay_color=”#ffe2b7″ dfd_overlay_pattern_opacity=”100″][vc_column][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”30″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”30″ screen_tablet_spacer_size=”30″ screen_mobile_spacer_size=”20″][new_team_member team_member_photo=”6891″ team_member_img_width=”200″ team_member_img_height=”” soc_icons_hover=”1″ main_layout=”layout-01″ team_member_description=”Nayra Sanz Fuentes is a film director, scriptwriter, editor and producer who graduated with a degree in Spanish Philology, majoring in contemporary literature. She went on to take a Master in Advanced Studies at the Humboldt University of Berlin thanks to a scholarship from DAAD, the German Academic Exchange Service. Her field of study focused on the national-socialist body through the work of the filmmaker Leni Riefenstahl. Afterwards she took a Master in Film Directing in New York, where she lived for two years and started to work on film productions.<\/p>\n

On returning to Spain she set up a production company called Rinoceronte Films, whose mission is to produce films and develop cultural projects. At the moment, her filmography contains seven fiction and non-fiction shorts: Selfie (2019), In Those Lands (2018), Sub Terrae (2017), Just Another Day (2014), Things in Common (2011), Encounter (2010) and Anniversary (2009). Overall, they have been screened at more than 200 film festivals worldwide and have won several awards including the Caracola Alcances prize at the Cadiz Documentary Film Festival, the Edward Snowden prize and the Miradas Doc Award, among others.<\/p>\n

Her first feature-length film, As Old as the World (2012), won the C\u00edrculo Precolombino de Oro at the 29th International Film Festival of Bogot\u00e1 and has also been screened at many other festivals and in cultural centres and universities. She has also worked as unit production manager and editor for the documentary film Edificio Espa\u00f1a (2014), nominated for the Goya Awards in 2015, and as co-producer and co-scriptwriter for The Hidden City (2018), both directed by V\u00edctor Moreno. At once, she is a former programmer for Ciclo Docma at Matadero Madrid and has also lectured at the Master in Documentary Film at the LENS School of Visual Arts in Madrid.” title_font_options=”tag:div” subtitle_font_options=”tag:div” font_options=”tag:div” team_member_name=”Nayra Sanz Fuentes”][\/vc_column][\/vc_row][vc_row][vc_column][dfd_spacer screen_wide_resolution=”1280″ screen_wide_spacer_size=”30″ screen_normal_resolution=”1024″ screen_tablet_resolution=”800″ screen_mobile_resolution=”480″ screen_normal_spacer_size=”30″ screen_tablet_spacer_size=”30″ screen_mobile_spacer_size=”20″][dfd_button button_size=”dfd-button-full-width” button_text=”BACK” buttom_link_src=”url:https%3A%2F%2Fcanaryislandsfilm.com%2Fen%2Fcanarias-en-corto%2F|||” hover_text_color=”#da2e48″ background=”#da2e48″ hover_background=”#ffffff” border=”border-style:solid;|border-width:1px;border-radius:2px;|border-color:#da2e48;” hover_border=”border-style:solid;|border-width:1px;border-radius:2px;|border-color:#da2e48;” style=”style_1″ box_shadow=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)” hover_box_shadow=”box_shadow_enable:disable|shadow_horizontal:0|shadow_vertical:15|shadow_blur:50|shadow_spread:0|box_shadow_color:rgba(0%2C0%2C0%2C0.35)” title_font_options=”font_size:24|font_style_bold:1″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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